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Folie Tristan d'Oxford : ウィキペディア英語版 | Folie Tristan d'Oxford
The ''Folie Tristan d’Oxford'', also known as the Oxford ''Folie Tristan'', ''The Madness of Tristan'', or ''Tristan’s Madness'', is a poem in 998 octosyllabic lines written in Anglo-Norman, the form of the Norman language spoken in England. It retells an episode from the Tristan legend in which Tristan disguises himself as a madman to win his way back to Ysolt. The poem can be dated to the period 1175–1200, but the name of the author is unknown. It is not to be confused with the ''Folie Tristan de Berne'' or the fragmentary ''Folie Tristan de Cambridge'', different medieval poems on the same subject, each work taking its name from the city in which the manuscript is now kept. The scholar Frederick Whitehead wrote that it "handle() with humour, vivacity, and poignant feeling the dramatic possibilities of the theme". The critic Joseph Bédier considered it a more beautiful poem than the ''Folie Tristan de Berne'', and, comparing it with its major source, the ''Tristan'' of Thomas, judged that though it has neither the grace nor the preciousness of that romance, it equals it in sincerity and intensity of emotion and surpasses it in energy and eloquence. == Synopsis ==
Distraught at having lost the love of Ysolt, Tristan travels incognito to England to find her. The ship on which he has taken passage lands at the enchanted castle of Tintagel, where King Mark and his queen Ysolt hold court. Knowing that Mark will kill him if he recognizes him, Tristan disguises himself as a crazed simpleton and, fighting off the bystanders who try to bait him, gains admittance to King Mark's hall. There he announces that his name is Trantris, that he loves Ysolt, and that he wants to offer Mark his sister in exchange for the queen. The king laughs at the wild words of this supposed lunatic. Next Tristan turns to Ysolt and reminds her of various episodes in their past life, in which, though he won her hand on Mark's behalf, he himself and Ysolt fell in love. Ysolt angrily denies all knowledge of him. Tristan then boasts, to Mark's amusement, that he is a fine huntsman, hawker, and musician. Ysolt retires to her room and complains of the madman to her servant Brenguain, who, suspecting the truth, seeks him out. Tristan persuades Brenguain of his true identity, and she takes him back to see Ysolt. Again Tristan reminisces at length and in detail about the life Ysolt and he formerly led together as illicit lovers, Mark's discovery of their love and banishment of them, and his recall of them when he was persuaded of their innocence. Ysolt's incredulity is slowly worn away as she hears this, and still more when her hound Husdent is brought in and joyfully recognizes him. Finally Tristan produces the ring she once gave him, and she, accepting that this is indeed her lover, falls into his arms.
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